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sugarcane

In January of 2024, Ed appeared in the debut of Sugarcane, at Sundance, Film Festival in Park City, Utah, a documentary directed by his son Julian Brave NoiseCat and colleague Emily Kassie; and where they won the Directing Award: U.S. Documentary.

sugarcane

In January of 2024, Ed appeared in the debut of Sugarcane, at Sundance, Film Festival in Park City, Utah, a documentary directed by his son Julian Brave NoiseCat and colleague Emily Kassie; and where they won the Directing Award: U.S. Documentary.

Slide 2

current gallery show

Now through January 10, 2025 join Evergreen State College and NoiseCat Art for a journey into the world of Traditional and Contemporary Salish art - Art of the Salish Peoples

current gallery show

Now through January 10, 2025 join Evergreen State College and NoiseCat Art for a journey into the world of Traditional and Contemporary Salish art - Art of the Salish Peoples

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sculpture

NoiseCat’s graphic designs lend a spectacular flair to every-day accessories such as scarves, tee shirts, umbrellas and steel tags. Keep an eye out for new products, uploaded as they become available.

sculpture

Whether it’s in wood, metal, glass or a combination of these, NoiseCat brings his vision to life with extraordinary style, marrying his Indigenous roots to his modern sensibilities.

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fashions

NoiseCat’s graphic designs lend a spectacular flair to every-day accessories such as scarves, tee shirts, umbrellas and steel tags. Keep an eye out for new products, uploaded as they become available.

fashions

NoiseCat’s graphic designs lend a spectacular flair to every-day accessories such as scarves, tee shirts, umbrellas and steel tags. Keep an eye out for new products, uploaded as they become available.

Slide 3

jewelry

NoiseCat/Ed translates Pacific Northwest themes into dramatic, wearable art. Each “totem” animal is sculpted in wax, then cast in sterling silver. Rings, bracelets, pendants and earrings take shape as Thunderbird, Raven, Wolf, Frog, Salmon, Eagle and Bear—each bearing a special significance to Indigenous culture.

jewelry

NoiseCat/Ed translates Pacific Northwest themes into dramatic, wearable art. Each “totem” animal is sculpted in wax, then cast in sterling silver. Rings, bracelets, pendants and earrings take shape as Thunderbird, Raven, Wolf, Frog, Salmon, Eagle and Bear—each bearing a special significance to Indigenous culture.

Slide 4

steel cutouts

See the fabulous creations of the NoiseCat mind come into vivid life as wall mounted or free-standing steel silhouettes. Choose from stainless, hot-rolled carbon or Corten steel for a sleek or rustic finish. Order exactly the size and finish that matches your aesthetic.

steel silhouettes

See the fabulous creations of the NoiseCat mind come into vivid life as wall mounted or free-standing steel silhouettes. Choose from stainless, hot-rolled carbon or Corten steel for a sleek or rustic finish. Order exactly the size and finish that matches your aesthetic.

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History

Father, artist and survivor

Photo credit: Julian Brave NoiseCat

Love, trouble and creativity have carried me around the world from my home reserve in Canim Lake, British Columbia to New York City and many magnificent places in between.

My work is inspired by the stories that comprise my life—the people, tricksters, tragedies and triumphs of the Indigenous experience. I work in many media, including wood, bronze, silver, gold, glass, print and more. My work is intimate, intricate and vivid, and I take immense pride in my craft.

Over the years, I have won numerous awards, including top prize at the inaugural Indian Art Northwest in 1998, best of show at the Autry Museum in 2008, best of show at the Heard Museum’s Indian Fair and Market in 2010 and more.

I took a brief hiatus from fine art to try my hand at chainsaw carving, winning 1st place in the artist challenge at the Albuquerque International Balloon Fiesta Chainsaw Carving Invitational, one of the biggest chainsaw carving competitions in the United States.

My pieces are in public and private collections, including the National Museum of the American Indian, in Washington, D.C. My portfolio of monumental works includes a portrait mask of Taoyateduta, or Chief Little Crow, in Minnehaha Park in Minneapolis, Minnesota.

In 1986, I graduated from the Emily Carr College of Art and Design in Vancouver and moved to New York to work as a lithographer for world-renowned Tyler Graphics, producing prints for Frank Stella, Roy Lichtenstein and other legends of contemporary art.


2010 Residency
Museum of Glass
Tacoma

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